royer r121 frequency response
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royer r121 frequency response

royer r121 frequency response

Extremely low residual noise Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. We did away with the large, heavy, fragile “classic” approach to ribbon microphones and went in a completely new direction. Maximum SPL: >135dB @ 20 Hz The Royer Labs model R-121 is a versatile microphone and is ideally suited for many critical recording applications. The Royer R-121 is a passive ribbon microphone with an innovative offset ribbon placement that gives the two sides of the microphone distinct features and sound. 25th May 2016 #6. Absence of high frequency phase distortion The Royer badge on the front of the microphone is red, rather than green. Magnets: Rare Earth Neodymium There is a bit of a presence bulge between 1.5 and 7kHz, but only of … The ribbon element is made of pure aluminum and is 2.5 microns thick, and is tuned to about 40Hz. The Cascade Vin-Jet with a Lundahl transformer is also worth considering. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. Its smooth frequency response characteristics and ability to capture detail make it a fine choice for many instruments, as well as for general broadcast applications. 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The Royer Labs R-121 is a thoroughly modern ribbon microphone designed for today's studio and live environments, exhibiting a flat frequency response and well balanced, panoramic sound field. Generating Element: 2.5-micron aluminum ribbon Highs are often rolled off in live performances, but due to the R-121 Live’s exceptionally smooth high frequency response, it needs far less eq’ing than is usually required with condenser and dynamic microphones. But that’s where the similarities end. Acoustic Piano ... For your stated applications I would go with the Royer R121. Acoustic Operating Principle: Electrodynamic pressure gradient Polar Pattern: Figure-8 Generating Element: 2.5-micron aluminum ribbon Magnets: Rare Earth Neodymium Frequency Response: 30 -15,000 Hz +/- 3dB Sensitivity:-47 dBv Re. Output Connector: Male XLR 3 pin (Pin 2 Hot) No internal active electronics to overload or produce distortion up to maximum SPL rating A cushioned wood case and microphone clip are included with the mic, and an optional AT84 suspension shockmount makes a great addition for just $72 more. The maximum SPL rating is 135 dB. Curiously, the max SPL rating for the R-121 Live is no higher than the standard R-121… Sensitivity: -47 dBv Re. The R-121 Live is backed with Royer’s lifetime … Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. Rated Load Impedance: >1500 Ohms @ 300 Ohms Share Reply Quote. Ribbon element is not affected by heat or humidity Its ability to withstand >135 dB SPL makes it useful for applications that were previously considered off limits to ribbon Horn Sections Output Impedance: 300 Ohms @ 1K (nominal) The R-121’s proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. Commercial Broadcast, Acoustic Operating Principle: Electrodynamic pressure gradient Our new R-10 ribbon microphone utilizes the groundbreaking technology introduced in the R-101 (including the shock mounted ribbon … Read More This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. 1v/pa ±1 dB) Switchable Pad: -15 dB; Switchable Bass Cut: 100 Hz (6 dB per octave) Self-Noise: < 18 dB; Output Impedance: 200 Ohms, balanced; Output Connector: Male XLR 3-pin (Pin 2 Hot) Rated Load Impedance: 1K-Ohm minimum; Maximum SPL: 135 dB @ 30 Hz; Power Requirements: 48-Volt Phantom Only The quoted frequency response is flat within around ±2dB from 30Hz to 15kHz, although these figures rather do the mic a disservice. ... Not only in the Frequency Response graphs but in real life and even in the demos, the R-121 has more top end than the R-10. Brass Instruments R 121 Cd Manual 2019. Kick drum mic shootout with sound microphone frequency response microphone frequency response rejection os incorporated forums why microphone axis matters tech talk. Percussion Instruments Listen to More Samples in the Audio/Video Library, High SPL Capabilities Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that’s where the similarities end. Dimensions: 155.7mm L, 25mm W (6.13" L, 1" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel/Matte Black Chrome optional, Home Recording - Royer Labs R-121 Ribbon microphone - A Mic For All Seasons by David Darlington, Vintage Guitar - R-121 Ribbon Microphone by Steve Patt, Tape Op - R-121 Ribbon Microphone  by Steve Albini, Sound on Sound - Funky Ribbon - Royer R-121 Studio Ribbon Microphoneby Hugh Robjohns, Electronic Musician - Electronic Musician - Editors Choice Award January 2000, Microphone (ribbon), Recording Magazine - Royer R-121 Ribbon Microphone - What Went Around Has Come Around Again by DaviMoulton, Pro Audio Review - Royer R-121 Ribbon Microphone by Russ Long, Electronic Musician - Royer Labs R-121 - A New Ribbon Mic Ups The Ante On A Classic Design by Myles Boisen, © 2020 Royer Labs • 2711 Empire Ave., Burbank CA, 91504 • 818.847.0121, Recording on the back of the R-series microphone. Drum Rooms Polar Pattern: Figure-8 R-101 Mono Ribbon Microphone Notice The R-101 has been discontinued. Swapping it around to the rear side improves, albeit slightly. It’s an integral piece of the magic of all Royer R-series microphones.

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