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More like the KSM44, I found the 27 to have a sweet and smooth HF lift. Retailing at $575, the all American-made, cardioid-only KSM27 from Shure is one of the best values around. Sibilants were clear — and most importantly, clean — for all the mics, with the 87 and 27 a touch crisper. © 2020 MIX is part of Future plc, an international media group and leading digital publisher. I usually like a U47 FET for this ambient sound and hope that with both the pads switched on the Neumann, it doesn’t overload. The Sanken is a warm microphone that, in this case, made me want to reach for the equalizer on my Neve 1084 module. Self-noise for the KSM27 is a low 14 dB. Shure's new KSM27 fits that profile exactly. The 27 has good low frequencies (especially down to the subsonic), a warm, lower midrange and a clear upper midrange. There is also a switchable -15dB attenuator pad that was perfect for close-miking drums and guitar cabinets. Optional accessories include an aluminum carrying case, foam windscreen, PS-6 Popper Stopper, and a padded, zippered carrying bag. KSM27 microphone pdf manual download. Shure thinks of everything! One immediately noticeable, unique feature that separates the 27 from the other two mics is its diminutive size, just over six inches tall. For this subjective test, I used my own speaking voice and a pair of loud headphones. The KSM44 has a very solid low end with a much “drier and cleaner” sound (its self-noise is only 7 dB) than any of the others. I had an assistant quickly mute and open each mic by way of my hand signals, from out in the studio. I've used the KSM27 for a variety of applications, including vocals, acoustic guitar, and a … Vocals went well, with the added low-end warmth of the 27 bringing out whatever little bit my singer had. Published: 01/01/2002. Compared to the others, the KSM32 has more of a somber quality from the midrange through the highs; I could see this mic working well for edgier voices. The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone. Before a session, I set up A/B comparisons of the KSM44, KSM32, KSM27 and, for a reference to my ears, a Neumann U87. And like both the 44 and 32, the 27 uses a Class-A discrete and transformerless preamplifier with gold-plated internal and external connectors. Actually, the 27 was chosen to replace the KSM32 used on Jay Leno’s desk on the new set of The Tonight Show With Jay Leno. Both the KSM44 and 32 beat the 27 in dynamic range by only a couple of dB, with all three equal in maximum SPL rating at around 138 dB (153 dB without pad). View and Download Shure KSM27 user manual online. The 27 matches the 32 with an 81dB signal-to-noise ratio spec, while the KSM44 offers a better 87 dB in cardioid pattern. Here, the Shure KSM27 was a better choice, as I found little need to equalize unless I needed to “carve” the guitar’s natural sound to fit the track’s hyperbolic production. I used the KSM27 in the studio for drums, acoustic and electric guitars, and vocals. The KSM27 comes with a rubber-isolated shock-mount and also has internal shockmounting that reduces stand and handling noise. The KSM27 uses a 1-inch, externally biased, gold-sputtered, layered Mylar diaphragm like the KSM44. Update my browser now, I can't help but feel the love from a company that broadens its product line by offering a lower-priced model that could directly compete with its existing, By By Barry Rudolph Despite the 27’s smaller size and price, Shure didn’t cut the features you’d expect from a good studio condenser, such as a three-position LF roll-off filter with options for flat, -18 dB per octave cut-off at 80 Hz, and -6 dB per octave roll-off at 115Hz settings. Like the KSM44 and KSM32, the KSM27 is a side-address condenser design. I miked a bass drum about a foot away out front. The KSM32 is a little thinner, but more importantly, doesn’t have the low-frequency warmth of the 44. CARDIOID CONDENSER MICROPHONE. I can’t help but “feel the love” from a company that broadens its product line by offering a lower-priced model that could directly compete with its existing line. I don’t have the acute hearing of someone like Klaus Heyne — who uses this same method for tuning the capsules of his mics — but it is easy for me to hear the differences when comparing mics or different signal processing chains. Whether it’s your first studio mic or something to expand your mic locker, the KSM27 is a wonderful addition to any microphone collection. Polar pattern: cardioid, externally biased condenser capsuleFrequency response: 20 to 20k HzOutput impedance: 150 ohmsAttenuation switch: -15 dBPhantom power: 48 VDC (5.4 mA)CMRR: greater than 50 dB, 20 to 20k HzDimensions: 2.2 inches diameter, 6.15 inches long, 22.6 ouncesSensitivity: -37 dBV/PASelf-noise: 14 dBMaximum SPL @ less than 1% THD with 2,500-ohm load: 138 dB or 153 dB w/padMaximum SPL @ less than 1% THD with 1,000-ohm load: 133 dB or 148 dB w/padOutput clipping level @ less than 1% THD with 2,500-ohm load: 7 dBvOutput clipping level @ less than 1% THD with 1,000-ohm load: 1 dBvDynamic range w/2,500-ohm load: 124 dBDynamic range w/1,000-ohm load: 119 dBSignal-to-noise ratio: 81 dB.
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