betye saar prints
16273
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betye saar prints

betye saar prints

1926), Hoodoo #4, 1992, multi-media assemblage (double-sided), 7.5" x 5.5". Signed, titled and dated in pencil, lower right verso. Description: Color intaglio and screenprint, 1990. 381x394 mm; 15x15 1/2 inches. Portfolio with 6 color screenprints, 2000. 267x489mm; 10 1/2x19 1/4 inches, full margins. Condition Report: 1926 Bookmarks in the Pages of Life one volume with six serigraphs on handmade paper housed in a brown linen clamshell case by Zora Neale Hurston, 2000. 1926) Californian (two), Lot 226: Betye Saar and Zora Neale Hurston Bookmarks in the Pages of Life, Lot 237: Betye Saar (American, born 1926), National Racism: We Was Mostly 'Bout Survival, Lot 527: Betye Saar, (American, b. 19 1/4 x 13 in. BETYE SAAR (1926 - ) Winter Garden. All items are offered for sale subject to Swann Galleries'' standard terms and conditions of sale, which are published in our catalogues. Description: Condition of the item is not included in this description. Estimate: Betye Saar: Selected Assemblages, 21 July - 7 October 1984, Los Angeles Museum of Contemporary Art The Collection of Dianne Whitfield-Locke and Dr. Carnell Locke, Maryland Grandma's Garden Betye Saar. Etching in colors on wove paper, signed in pencil, titled, dated and numbered 8/15, with full margins, framed. Estimate: Lot 66: BETYE SAAR (1926 - ) The Beastie Parade. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Lot 66: BETYE SAAR (1926 - ) The Wounded Wilderness. Exhibited: Lot 91: BETYE SAAR (1926 - ) Sepia Rainbow. The Betye Saar Catalogue Raisonn_ Project + Archives is an ongoing commitment to documenting the artistic practice of Los Angeles artist Betye Saar. Lizetta LeFalle-Collins (Fresno, CA: Fresno Art Museum, 1993), 29. Symbols, images, place and cultures merge. 35 3/4 x 18 x 1 1/2" (90.8 x 45.7 x 3.8 cm). Co. (New York). Signed and dated in watercolor, lower right recto. Beryl Wright, ed., The Appropriate Object (Buffalo, NY: Albright-Knox Art Gallery, 1989), 54. Signed and numbered in pencil on colophon page 120/300 Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE. Color etching on cream wove paper, 1964. High John de Conquer, The Bone of Contention, and Magnolia Flower. Titles include: Magnolia Flower * Mother Catherine * High John De Conquer * The Conscience of the Court * The Bone of Contention * Now You Cookin'' with Gas. 1926) Untitled color screenprint signed lower right, edition of 75 14.75" x 10.75". Signed, titled, dated and numbered 67/75 in pencil, lower margin. Located in the heart of Chelsea, we are open Tues to Sat, 10-6. Adori. Every lot is sold as-is. By shifting the point of view “To me the trick is to seduce the viewer. Betye Saar The exhibition, Betye Saar: Still Tickin’ was an ambitious survey that spanned six decades of the artist’s ouevre and included works on paper, mixed media assemblage, ... Betye Saar, Kozlow Gallery, Encino, CA. Description: Condition Report: Color etching and aquatint on cream wove paper, 1962. Artist's proof, aside from an edition of 75. Please enter a valid email address (name@host.com), Lot 10: Betye Saar, b. Titled in watercolor, lower left recto. $1,000 - $2,000, Description: Description: If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. BETYE SAAR (1926 - ) Needles. Estimate: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues. But I like to think that I can try.”3, Introduction by Esther Adler, Associate Curator, Department of Drawings and Prints, and Nectar Knuckles, Curatorial Fellow, 2019. Betye Saar (Good condition.) Free to create. 152x178 mm; 6x7 inches. $6,000 - $8,000, Description: Description: Bookmarks in the Pages of Life BETYE SAAR (1926 - ) Untitled (Phrenology Box). 1992 Condition Report: It also appears again in other works, including her 1970 self-portrait, Self Window with Reflection. Printers: Using the soft-ground etching technique, she pressed stamps, stencils, and found materials into her plates to capture their images and textures. Betye Saar (American, b. At age 80, she's still combining scraps and souvenirs of the past into provocative works of art. Description: Color screenprint, 2000. Signed and dated in oil, lower right recto. Saar used this diagrammatic profile as a metaphor for a pyschological or mental space, and the classification used in cultural and social segregation. Description: $1,500 - $2,500. thread in my art that weaves from early prints of the 1960's Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. Description: Mixed media assemblage box, (including glass, acetate sheet, flashlight cubes, a doll's head and an etching by the artist), circa 1965-70. Color etching on cream Japan paper, 1960. $30,000 - $50,000. 1926 Her work has spanned over fifty years and includes assemblages, installations, paintings, collages, prints, and costumes. 7 3/8 x 6in (18.7 x 15.2cm) BETYE SAAR ( 1926 - ) Now You Cookin' With Gas. Grandma's Garden Print is laid down to a back mat, clean paper sheet, clear ink passages. Exhibited: A Mixed Bag IV/Legends, Bill Hodges Gallery, New York, NY, 1997. Overall good condition; few unobtrusive, soft sheet bends; some minor light margin wear. 1926)/span UNTITLED Signed and dated 1976 in marker on the underside, wood cigar box with screenprinted labels adhered to the top and undersides, containing mixed media/assemblage 1 1/2 x 8 x 6 1/2 in. Description: The intimacy and scale of Saar’s work encourages a personal connection to the artist and her experience. Description: Signed, titled, dated and inscribed "Artist's Proof" in pencil, lower margin. Learn how to teach The Liberation of Aunt Jemima by Betye Saar with art interpretation, discussion questions, video, learning activities, and art projects. BETYE SAAR (1926 - ) Untitled (Drawing Study). Estimate: Condition Report: Dated "'70" in pencil on the verso. For her best-known work, The Liberation of Aunt Jemima (1972), Saar arms a Mammy caricature with a rifle and a hand grenade, rendering her as a warrior against not only the physical violence imposed on black Americans, but also the violence of derogatory stereotypes and imagery. Color etching and aquatint, circa 1967-68. Please email us at: VallotsAuctioneer@gmail.com for a detailed condition report or requests for additional photographs. Saar grew up in Los Angeles and Pasadena, California, and studied design at the University of California, Los Angeles—a career path frequently foisted upon women of color who were interested in the arts, due to the racism and sexism prevalent in universities at the time. 1932). 20 best images about Betye Saar on Pinterest | Vintage suitcases ... Betye Saar's retrospective is travelling from the Museum Het Domein in the Netherlands to Scottsdale, Arizona. Includes original cloth-covered case. Color etching on cream Japan paper, 1960. Description: Lot 105: BETYE SAAR (1926 - ) The Beast that Pounds the Desert's Dust. Betye Saar Please Register/Login to access your Invaluable Alerts, View additional info and full condition report. Estimate: BETYE SAAR (1926 - ) Winter Symbol. Provenance: acquired directly from the artist; private collection, New York. Survival of the Spirit Image: 1. © 1986-2020 Invaluable, LLC. 7-5/8 x 5-5/8 x 1/2 inch, Estimate: BETYE SAAR (1926 - ) Turtles Lament. Betye Saar, 1973 University of California Art Gallery, Los Angeles | 1270x987 mm; 50x38 7/8 inches. Artist's proof, aside from an edition of unknown size. 311x381 mm; 12 1/4x15 inches, wide margins. Gift of Candace King Weir through The Modern Women's Fund, and Committee on Painting and Sculpture Funds. Signed, titled, dated, and inscribed "Artist's Proof" in pencil, lower margin. Condition Report: Provenance: Ankrum Gallery, Los Angeles, with the label on the frame back; private collection, Los Angeles. This is made explicit in her commitment to certain themes, imagery, and objects, and her continual reinvention of them over decades. Description: Adori is a very good, early example of the artist's work in assemblage.

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